The Human Shuffle
Is ChatRoulette the future of the Internet or its distant past?
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The first time I entered ChatRoulette—a new website that brings you face-to-face, via webcam, with an endless stream of random strangers all over the world—I was primed for a full-on Walt Whitman experience: an ecstatic surrender to the miraculous variety and abundance of humankind. The site was only a few months old, but its population was beginning to explode in a way that suggested serious viral potential: 300 users in December had grown to 10,000 by the beginning of February. Although big media outlets had yet to cover it, smallish blogs were full of huzzahs. The blog Asylum called ChatRoulette its favorite site since YouTube; another, The Frisky, called it “the Holy Grail of all Internet fun.” Everyone seemed to agree that it was intensely addictive—one of those gloriously simple ideas that manages to harness the crazy power of the Internet in a potentially revolutionary way.
The site activates your webcam automatically; when you click “start” you’re suddenly staring at another human on your screen and they’re staring back at you, at which point you can either choose to chat (via text or voice) or just click “next,” instantly calling up someone else. The result is surreal on many levels. Early ChatRoulette users traded anecdotes on comment boards with the eerie intensity of shipwreck survivors, both excited and freaked out by what they’d seen. There was a man who wore a deer head and opened every conversation with “What up DOE!?” A guy from Sweden was reportedly speed-drawing strangers’ portraits. Someone with a guitar was improvising songs for anyone who’d give him a topic. One man popped up on people’s screens in the act of fornicating with a head of lettuce. Others dressed like ninjas, tried to persuade women to expose themselves, and played spontaneous transcontinental games of Connect Four. Occasionally, people even made nonvirtual connections: One punk-music blogger met a group of people from Michigan who ended up driving eleven hours to crash at his house for a concert in New York. And then, of course, fairly often, there was this kind of thing: “I saw some hot chicks then all of a sudden there was a man with a glass in his butthole.” I sing the body electronic.
I entered the fray on a bright Wednesday afternoon, with an open mind and an eager soul, ready to sound my barbaric yawp through the webcams of the world. I left absolutely crushed. It turns out that ChatRoulette, in practice, is brutal. The first eighteen people who saw me disconnected immediately. They appeared, one by one, in a box at the top of my screen—a young Asian man, a high-school-age girl, a guy lying on his side in bed—and, every time, I’d feel a little flare of excitement. Every time, they’d leave without saying a word. Sometimes I could even watch them reach down, in horrifying real-time, and click “next.” It was devastating. My first even semi-successful interaction was with a guy with a blanket draped over his lap who asked if I wanted to “jack of” with him. I declined; he disconnected. Over the course of an hour, I was rejected by what felt like a cast of thousands: a teenage girl talking on her cell phone, a close-up of an eyeball. It started to feel like a social-anxiety nightmare. One guy just stared into the camera and flipped me off. Another stood in front of his computer making wave motions with his hands, refusing to respond to anything I typed. One person had the courtesy to give me, before disconnecting, a little advice: “too old.” (I’m 32.) A girl with heavy makeup looked terrified when my image popped up on her screen—I actually felt guilty, a few rounds later, when the engine of randomness threw us back together and she had to look at my face for another excruciating half-second. My longest exchange was with a guy who seemed to be wearing one of those protective cones you put on a dog after surgery. “LICK YOU ELBOW,” he typed. “Why?” I asked. He disconnected.
I got off the ChatRoulette wheel determined never to get back on. I hadn’t felt this socially trampled since I was an overweight 12-year-old struggling to get through recess without having my shoes mocked. It was total e-visceration. If this was the future of the Internet, then the future of the Internet obviously didn’t include me.
Although ChatRoulette feels radically new, it’s built entirely out of recycled parts—it's just a potent combination of programs we’ve all been familiar with for years. Web chat has been around since the beginning of the Internet. Skype made the Star Trek–like experience of instant synchronized video communication an everyday reality back in 2003. But these experiences were almost always curated: The point was to chat and Skype with co-workers and friends, or at least with strangers who shared your interests. The internet has always been defined by (and drawn much of its energy from) the tension between chaos and control—and over the last ten years, web culture has skewed heavily toward control. Our most popular new online tools—Google, Facebook, Tumblr, Twitter, Digg—were designed to help us tame the web’s wildness, to tag its outer limits and set up user-friendly taxonomies. ChatRoulette is, in this sense, a blast from the Internet past. It’s the anti-Facebook, pure social-media shuffle. It arrived quietly last November, with no fanfare. (Given the nakedness of the ChatRoulette-user experience, it’s interesting that the site’s founder is unknown; web searches lead back to a Netherlands-based anonymity service.) Once you dive in, there’s no way to manage the experience—to filter users, search for friends, or backtrack and reconnect with someone you chatted with an hour ago. There’s only the perpetual forward motion of “next.” It’s the Wild West: a stupid, profound, thrilling, disgusting, totally lawless boom. If ChatRoulette catches on, it might even swing our collective online pendulum back toward chaos.
Read more: Is ChatRoulette the Future of the Internet or Its Distant Past? -- New York Magazine http://nymag.com/news/media/63663/#ixzz0gCym4azT
Courtesy of NYMAG.COM and Sam Anderson.
